Typically, for this mode, you’d turn off the DAW track’s input echo (also called input monitor), and set the iPB-10 XLR Mix slider for 50% USB and 50% iPB-10. If you monitor from the iPB-10, you essentially get zero-latency monitoring with effects, because you’re listening to the iPB-10 output-not monitoring through the computer. I was surprised the iPB-10 drivers were compatible with multiple protocols but in any event, the performance equalled many dedicated audio interfaces.Ī really cool feature is that under the iPB-10’s Settings, you can adjust the ratio of what you’re hearing from the DAW’s output via USB, and what’s coming from the iPB-10. 2: Working as a Windows WaveRT (WASAPI) interface with Acoustica’s Mixcraft 6. 2 Mixcraft doesn’t indicate sample buffers).įig. Mixcraft 6 listed the lowest latency as 5ms (see Fig. With Sonar using WDM, the lowest obtainable latency was 441 samples. The driver isn’t ASIO, so in your host select WDM or one of its variants as the preferred driver mode (MME or DirectX drivers work, too, but latency is objectionable). 1: Setting up the iPB-10 for Ableton Live with a 45-sample buffer size. With my quad core Mac, the system played reliably with a buffer size of 64 samples in Digital Performer, and even at 45 samples with simple Ableton Live projects ( Fig. Now, select “DigiTech iPB-10 In/Out” as the input and output under Audio MIDI Setup. Patch the iPB-10 USB output into an available Mac USB port. Anderton | SeptemIt's not just a signal processor, but an audio interface you can aggregate with Mac and WindowsĭigiTech’s iPB-10 is best known as a live-performance multieffects pedal that you program with an iPad, but it’s also an excellent 44.1kHz/24-bit, USB 2.0 stereo audio interface for guitar.Ĭore Audio is plug-and-play.

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